EDUCATION

UNIVERSITY OF COLORADO

M.A. in Art History, December, 1992.

Thesis under Erika Doss: "Indian Paintings of E. Irving Couse: The Return of the Noble Savage." Extensive course work in 19th and 20th century European and American art and in American history and cultural studies.

Ph.D. in Geology, 1984

Specialization in volcanology and the chemistry of volcanic rocks as a means to determine the chemistry of the Earth's interior.

HARVEY MUDD COLLEGE, 1972

B.S. in Chemistry (with Distinction and Departmental Honors)

Minor concentration in anthropology. Research with Mitsuru Kubota, Professor of Inorganic Chemistry, resulted in the publication of a kinetic study.

EMPLOYMENT

CALIFORNIA POLYTECHNIC STATE UNIVERSITY

Lecturer in Art
Lecturer in Geology

Courses Taught in Art
  • Introduction to Art (ART 111)
  • Art History: Ancient to Renaissance (ART 211)
  • Art History: Renaissance through Baroque (ART 212)
Courses Taught in Geology
  • Earthquakes (GEOL 205)
  • Introduction to Geology (GEOL 102)
  • Physical Geology (GEOL 201)
  • Physical Geology Lab (GEOL 241)

CUESTA COLLEGE

Instructor in Art

Art Appreciation (Art 100)

ALLAN HANCOCK COLLEGE

Instructor in Geology

Physical Geology (GEOL 100)

AMERICAN MUSEUM OF NATURAL HISTORY

Lecturer on International Tours:
  • Australia’s Kimberley, upcoming
  • Along the Silk Road in Central Asia (Turkmenistan, Uzbekistan)
  • Islands and Sanctuaries of the Gods (Delphi, Olympia, Kithara, Crete, Santorini, Siphnos)
  • New Zealand, Dynamic Geology and Unique Ecology
  • Around the World: Peru, Easter Island, Samoa, Australia, Cambodia, India, Tanzania, Egypt and Morocco
  • Seville to Venice (Spain, France and Italy)
  • The Light of Greece: Greece (Athens, Epidauros, Mycenae, Crete, Rhodes
    Santorini, Mykonos, Samos); Turkey (Ephesus, Aphrodisias, Troy, Istanbul)
  • The Venetian Empire: Venice, Croatia, Greece, Turkey
  • Fabled Islands of the Mediterranean: Cyprus, Rhodes, Crete, Malta, Sicily, Sardinia, Corsica
  • Enchanting Seas: Sicily, Albania, Croatia, Ravenna and Venice
  • Around the World: Peru, Easter Island, Australia, Cambodia, China, Tibet, India, Tanzania, Egypt, Morocco
  • Fire and Ice: Japan, Kuril Islands, Kamchatka
  • Circumnavigation of Sicily
  • Silk Road by rail: Russia,Turkmenistan, Uzbekistan and Kazakhstan and China
  • Venice and the Dalmatian Coast of Croatia
  • Early Man in France, Spain and Portugal
  • Circumnavigation of Sicily
  • Copper Canyon, Mexico
  • England, Ireland and Scotland
  • Norway and Svalbard
  • Circumnavigation of Iceland
  • Iceland, the Faroe Islands, Shetland and Orkney
  • Newfoundland, Labrador, Baffin Island and Hudson’s Bay
  • The Great Lakes, Niagara Falls and the Saint Lawrence Seaway

THE COLORADO COLLEGE, 1977-2004

Visiting Professor of Art

Professor of Geology

Courses Taught in Art

Survey of Western Art (AH 112)
Art of Exclusion (AH 114)
American Art (AH 248)

Courses Taught in American Ethnic Studies

Introduction to American Ethnic Studies (ES 185)

Courses Taught in the Geology Department

Introductory Geology (GY 130)
Physical Geology (GY 140)
Mineralogy and Crystallography (GY 201)
Introduction to Petrology (GY 202)
Volcanology (GY 230) in Hawaii and Costa Rica
Geochemistry (GY 335)

Other College Service

Curator, Rod Rhodes Retrospective, Coburn Gallery, Colorado College
Curator, History of Building and Planning at Colorado College, Coburn Gallery
Organized a two-day symposium on Asian-American issues for
the American Ethnic Studies Faculty
Faculty co-facilitator, Bisexual, Gay and Lesbian Alliance
Minority Concerns Committee
Academic Program Committee
Campus Master Planning Executive Committee
Geology Department Chair, responsible for budget, staffing and curriculum
Director, Keck Geology Consortium Research Program at Kilauea Volcano, Hawaii
Led two alumni raft trips through the Grand Canyon

SCHOLARLY AND PROFESSIONAL ACTIVITIES IN ART

RESEARCH INTERESTS

The construction of race, the origins of thinking in racial categories, and race and representation in American Art, including that of African-Americans, Native Americans, Asian-Americans and Latino/as.

I am particularly interested in the juxtaposition of images of “others” created and imposed by Euro-American artists with self-representations by artists of color as they assert their own identities, and in the dynamics of creating an identity in opposition to widely-held cultural stereotypes. I am also interested in the manipulation of sexuality in the representation of “others.”

The construction of sexuality and masculinity, and the representation of sexuality and the body in American Art. I am particularly interested the America’s conflicted approach to the body and sex, and in the complicated, and often controversial place of figurative art in America.